Dil Roberts Photography

Panasonic GM5 - Panasonic G Vario 12-32 f3.5-5.6
Panasonic GM5 - Panasonic G Vario 12-32 f3.5-5.6
Panasonic GM5 - Panasonic G Vario 12-32 f3.5-5.6
Panasonic GM5 - Panasonic Lumix 45-150 f4.0-5.6
Panasonic GM5 - Olympus 9-18 f4.0-5.6 ED
Panasonic GM5 - Olympus 9-18 f4.0-5.6 ED
Panasonic GM5 - Panasonic G Vario 12-32 f3.5-5.6
Panasonic GM5 - Panasonic G Vario 12-32 f3.5-5.6
Panasonic GM5 - Panasonic G Vario 12-32 f3.5-5.6
Panasonic GM5 - Panasonic G Vario 12-32 f3.5-5.6

Photoblog of Random Images


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07/16/13
Sony Nex-7 - LEA2 Adapter - Sony DT 55-200 f4-5.6

Sony Nex-7 - LEA2 Adapter - Sony DT 55-200 f4-5.6

This was a master stroke by Sony. Whoever came up with this idea of bringing out an adapter for their A lenses deserves a medal. They work quite well and with Phase Detect Focusing incorporated. I didn't want to spend too much money on purchasing the more expensive lenses but I did want to try this configuration with the LEA2 adapter. In the end I decided to buy a zoom and two prime lenses, namely the DT 55-200 f4-5.6 , the 85 f2.8 and the DT 35 f1.8 lenses. I haven't had much opportunity to try out the 2 prime lenses but I had a spin with the zoom mounted on the Nex-7 the other week. I took the combination around Frankfurt with me and just photographed what took my fancy. The idea was to test it with as many different subjects as possible.
1195
NEX-7
Focal Length: 120 mm
Aperture: f/5.6
Exposure Time: 1/200 sec
ISO: 100
Dil 07/16/13 19:00     comments (0)
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 Viewed 1195
• Sony • Nex-7 • 55-200 f4-5.6 • LEA2 

07/15/13
Sony Nex-5N - Nikon 100 f2.8 Manual Focus Lens

Sony Nex-5N - Nikon 100 f2.8 Manual Focus Lens

This is going to be the last image from this combination for the present but I wanted to show the image rendition from this lens when focusing at the near infinity setting. Personally I like it and this lens is going to be one of my favourites in the future, I'm certain of it. I have a couple of 135mm lenses and at these settings the lenses tend to lose contrast when focusing at near infinity. Of course it has to do with how far away the subject is, the further away the subject is, the more contrast is lost. As I looked at the two horses they were very interested in what we were doing. Both have their ears up and just staring at us as we were passing by. Maybe it was because this was the first day we saw a bit of sun for months. It was a lovely day, and I think the horses appreciated it too.
924
NEX-5N
Focal Length: unknown
Aperture: f/1.0
Exposure Time: 1/500 sec
ISO: 100
Dil 07/15/13 19:00     comments (0)
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 Viewed 924
• Sony • Nex-5N • Nikon • 100 f2.8 

07/14/13
Sony Nex-5N - Nikon 100 f2.8 Manual Focus Lens

Sony Nex-5N - Nikon 100 f2.8 Manual Focus Lens

Another shot of the fly. He posed for me for some time on this wooden railing. Some might think that the image is just a crop from the previous post but, in fact,it is a different exposure altogether. I really attempted to get this fly from as many angles as possible. It's what some people call working the subject. It really is amazing what moving half a step to either side can do to the composition. Even a few centimetres makes a bit difference. I must admit it's what I do too little of, I should practice what I preach, it seems I get too excited when I'm out there and I tend to rush around. The trick is to slow down and think about  what you're doing. That's why I like to use manual lenses, it just slows you down automatically and gets you thinking about things.

Notice that this was taken in the square format (1:1 ratio on most cameras). When I started out many years ago it was the only format available, unless you went for medium and large format cameras. That just wasn't going to happen. I had too little time and resources for that type of photography. The 3:2 ratio was the 35mm format and it seemed like the most natural thing in the world to "see" in this format until the 4/3 sensor from Olympus came out. At first I didn't even bother to even think about the system, the price was simply too high, especially with SHG lenses Olympus were bringing out for the system. They were expensive and still are today. Then Panasonic brought out the GF1, which to me, was the perfect format body. But now I had to see in a totally different format and at first I just couldn't get around this change and I didn't use the camera as much as I thought I would. My Canon system seemed to be in my hands whenever I went out. Slowly though, I did use the camera more and somehow got used to the format and much preferred it to the 3:2 35mm format.

I bet your thinking "Where is all this going?". Well, for some time now I shoot a lot in the square format; it seems to suit my eye and my may I do things better. It seems much easier to compose the shot and I can see things in this format that I didn't see in any other format available. I also like to switch to the 16:9 format for a lot of shots but I now always seem to come back to the square format. What I'm trying to say here is that you get used to everything, and sometimes you get stuck in a certain way. This applies everything you do in life and a change is as good as a rest. Try different formats when out on a shoot, or just take one single prime lens with you and try that out for a few days. You never know, you might hit on a certain format or focal length that changes your photography totally.

For me, right now, it's the square format image.
1070
NEX-5N
Focal Length: unknown
Aperture: f/1.0
Exposure Time: 1/200 sec
ISO: 100
Dil 07/14/13 19:00     comments (0)
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 Viewed 1070
• Sony • Nex-5N • Nikon • 50 f1.8 

07/13/13
Sony Nex-5N - Nikon 100 f2.8 Manual Focus Lens

Sony Nex-5N - Nikon 100 f2.8 Manual Focus Lens

This is what you can expect from the Nikon 100 f2.8 lens when mounted on a APS-C sensor. I don't think it would be this good on a m4/3 camera because of the sensor characteristics. I would love to try it out on a full frame sensor but I'm about to go out and buy a Nikon FF camera just to satisfy my curiosity.

On a Sony Nex body this lens is equivalent to 150mm lens (x1.5 crop factor) and comes close to my preferred focal length. Some of these longer focal length lenses produce some lovely background blur. The image above shows what this lens is capable of. Simply superb and the peaking function helped me get the fly in focus. This was shot wide open at f2.8.

On a m4/3rd camera it would be the equivalent of a 200mm lens and I find it pretty difficult to hand hold at those focal lengths. On an Olympus body it would be easier because  of IBIS (In Body Image Stabilisation) than on a Panasonic body. I haven't used any legacy lenses on Panasonic bodies and I have no intention of doing so. The only reason I use them on Sony bodies, because they have the same problem as Panasonic, namely they use ILIS (In Lens Image Stabilisation) rather than IBIS. That is one great advantage of IBIS, it works with every lens you mount on the body. Don't discount this function as it really does help. Just try it out and see how low a shutter speed you can hand hold at longer focal lengths. I know for a fact that the older I get the more dependant I become on these functions.
851
NEX-5N
Focal Length: unknown
Aperture: f/1.0
Exposure Time: 1/200 sec
ISO: 100
Dil 07/13/13 19:00     comments (0)
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 Viewed 851
• Sony • Nex-5N • Nikon • 50 f1.8 

07/12/13
Sony Nex-5N - Nikon 50 f1.8 Manual Focus Lens

Sony Nex-5N - Nikon 50 f1.8 Manual Focus Lens


As I mentioned in my last post about zipping by photo opportunities when riding my bike I had to go back for this one because I saw it too late. I haven't quite captured what I was after and that was the 3D effect the shadow was giving the scene. Now why I didn't capture that is not that easy to answer but one thing I' sure of, it does have something to do with the system I'm using. I have seen some images from Leica cameras when paired with a magical Leica lens and I could swear that I was looking at a 3D image. Not possible of course but that is the effect the eye transmits to the brain. Well, it does with me anyway your mileage may vary.

I think that the Leica brand has really become a luxury and a niche brand today simply because of the costs involved in acquiring a system. I don't know many who are satisfied with just a 50 or 35 lens. Different lenses have a different purpose and not everyone shoots the same things all the time so more than one lens is desirable for the system. Since photography is not my profession I won't even think about buying into Leica, that would be a waste of money for me personally. I'm just not that good a photographer that I could justify it. This is a fun hobby and I have to keep the costs reasonably down, and after all, life takes priority. There are more important things in life than hobbies.

Of course, I wouldn't have to buy Leica lenses, there are a number of other manufacturers that supply lenses for the Leica mount, such as Voigtländer, and they have some really gems in their lineup. One of these is the old 75 f2.5 Heliar which has been superceded by the 75 f1.8 Heliar. The 75 f2.5 is smaller and lighter than the new version and, more importantly for me, can but purchased for half the price on ebay or at a local dealer. Ok, it's f2.5 and the new model f1.8, but for my purposes and with the high ISO performance of today's cameras I'll stick with 75 f2.5.
That is by no means the only gem they have and I'll be talking about a couple more in the upcoming posts. However, there may be a few other random posts and images before I get to that.
961
NEX-5N
Focal Length: unknown
Aperture: f/1.0
Exposure Time: 1/320 sec
ISO: 200
Dil 07/12/13 19:00     comments (0)
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 Viewed 961
• Sony • Nex-5N • Nikon • 50 f1.8 

07/11/13
Sony Nex-5N - Nikon 50 f1.8 Manual Focus Lens

Sony Nex-5N - Nikon 50 f1.8 Manual Focus Lens

Again taken with the Sony Nex-5N and the Nikon 50 f1.8 manual focus lens attached. As you can see, the lens is extremely sharp (and it's got nothing to do with my sharpening methods). I thought since I'm out on my bike quite a bit lately I'd take a shot and post it. It's been my taxi for quite a few outings lately. The advantage of a bike for me of course are that I get a lot of exercise and I get from place to place quicker that slogging it on foot. On the negative side, I may just pass a perfect photo opportunity because I'm concentrating too much on cycling. I wish there was a middle of the road solution but I can't think of one. It's either speed along on the bike, or it's a slow slog on foot.
 

At present I have 2 Nikon lenses in my possession, the 50 f1.8 and the 100 f2.8 manual focus lenses. To be perfectly honest I'm quite impressed with the image quality, colour and micro contrast that I am achieving. It's nothing to do with the camera I'm using, the results are the same independent of which camera I use be it an Olympus, Nex or even a Fuji. I've seen a post over at soundimageplus regarding the 28 f1.8G, the 50 f1.8G and the 85 f1.8G lenses and have been considering them for my arsenal. Too expensive for my taste at present. I had to set priorities and they do not come in at the top of the list. 

 

I've just spent some money for the Fujifilm Fujinon 55-200 f3.5-4.8 zoom and that is enough for the present. I really wanted a zoom of this calibre for the Fuji X system as it was really lacking. The zoom looks very nice indeed and the images match those of the 18-55 f2.8-4 kit lens. Both those lenses make for a very nice system. I haven't gone for the primes on this system as my m4/3 systems have enough of those and covers everything I need. I'm really impressed with the image quality from the X-Trans sensor though and I will keep the X-E1 and the X100S for some time to come.

1035
NEX-5N
Focal Length: unknown
Aperture: f/1.0
Exposure Time: 1/100 sec
ISO: 100
Dil 07/11/13 19:00     comments (0)
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 Viewed 1035
• Sony • Nex-5N • Nikon • 50 f1.8 

07/10/13
Sony Nex-5N - Nikon 50 f1.8 Manual Focus Lens

Sony Nex-5N - Nikon 50 f1.8 Manual Focus Lens

The image above was taken with the Sony Nex-5N with an old Nikon 50 f1.8 manual focus lens attached. If the lens alone was attached the system would have been well balanced but with the adapter attached too, it is a little front heavy. Having said that, and if you haven't handled a Nex-5N before, well, let's just say it's not really a big camera. people with largish hands must have problems with this camera and I can understand it if they purchased something bigger. A Panasonic G5 or G6 comes to mind (or even the GH3 which is even larger) with a "real" grip.
 

Being small has it's advantages however, in being more portable. If I'm going out these days with my Sony kit I only need a smallish shoulder bag and that carries 2 x Nex-5N and one Nex-7 cameras. I don't like changing lenses and I use the Nex series primarily as my prime lens kit. Two reasons for this, as I'm sure you can guess, firstly the Nex lenses aren't really all that good and secondly I use the peaking function (or is it spelled peeking?) all the time. I think it's a great feature and all future cameras will come out with something very similar incorporated into them. It's an invaluable feature, especially when using very wide or telephoto lenses. The reason I say that is because when using prime lenses on my Olympus E-PL1 I don't have any problems when a 50ish lens is attached (100 = 35mm) but When I mount a 135mm lens (270mm = 35mm) that I do tend to struggle somewhat. Furthermore, since using the Sony Nex cameras with the peaking function I have notice that I have more difficulty using the Olympus models. Maybe I'm becoming lazy or my eyes aren't what they used to be (probably both).

As to the image above, I'd seen quite a few of these recently and I like the artsy effect they archived with just moving the camera during the exposure. Well I tried quite a few things on the outing with this combination, just to get the effect I was looking for. I was hand-holding the camera, it was stopped down quite a bit and the ISO was set to it's lowest value.
 
I didn't quite achieve what I wanted but I did learns quite a few things.
One: A tripod is invaluable when taking these type of photographs. You just have to touch the front of the lens and this effect can be achieved.
Two: It's better to do these when the sun isn't shining or during the middle of the day. The shutter speed will invariably be too high.
Three: It's better to get the camera parallel to the trees or forest or whatever you're shooting. The image then "looks" and "feels" right.
 
My settings for this image was as follows:
ISO set to it's lowest value.
Lens stopped down to it's smallest aperture (high number).

Even at these settings the shutter speed was 0.6sec. Not really what I wanted but it did the job. A pol filter would have helped here as it can slow the shutter speed down by up to 2 stops. That would have made for a 2 second exposure. That would have been much better.
 

I'm still pleased with the image though and I'm sure I'll be trying these type of images again soon.

1007
NEX-5N
Focal Length: unknown
Aperture: f/1.0
Exposure Time: 6/10 sec
ISO: 100
Dil 07/10/13 19:00     comments (0)
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 Viewed 1007
• Sony • Nex-5N • Nikon • 50 f1.8 

07/09/13
Nikon 1 V1 - 1 Nikkor 10-30 f3.5-5.6 VR

Nikon 1 V1 - 1 Nikkor 10-30 f3.5-5.6 VR

I stated yesterday that it was going to be the last post about the V1 and the 10-30 f3.5-5.6 VR lens. Well, I decided to make one last post. I will be stating my likes and dislikes about the system and lenses available as of this post. Don't forget, I take some time in posting these things so there could well be developments in this area even before this post comes out.

 

Likes:
It's small, light and the battery lasts forever. It's the same one used in their DSLR range of cameras so they can't be that bad.
It's quick to focus and metering is excellent. This is my first Nikon camera believe it or not and I'm just wondering what the metering is like in their DSLR range. I know that I wasn't all that happy with the Canon metering and I've tested systems that are much better than Canon. Maybe I should have switched years ago, but you know how it is.
The lenses seem to be getting better. The 18.5 f1.8 lens is great but I won't be buying the 32 f1.2 unless they reduce the price considerably (although it comes close to my favourite focal length).
The raw files are good and since I'm a raw shooter, the jpg engine interests me very little.

 
Dislikes:
At present, this is a bright light camera although high ISO is ok.
The mode selector wheel at the top right of the camera (rear) gets in my way. I keep turning it unintentionally all the time. It does frustrate me but I think I'll get used to it (or I'll super glue it or something :-) ).
Because I got into this system pretty late Nikon decided to bring another flash on the market, namely the SB-N7, which is supposed to be better and works well with the V2 I believe. The problem with that flash is that it takes its own battery and that is just something more to carry around. I've been scouring the market for the original flash for the V1, the SB-N5 and I've managed to get on but at a horrendous price. It cost me nearly as much as the V1 with the kit lens. I had to try one because it's really small, tilts and swivels and the best thing of all, it takes it's power from the camera battery.
I'll let you know how that when I've had time to use it.
The 30-110 f3.8-5.6 VR lens is a little gem and much better than the 10-30 f3.4-5.6 lens in my opinion. The 18.5 f1.8 is also a gem and suits me a lot better than the 10 f2.8 although that gives reasonable results too. So far the lenses for this system are reasonably priced apart from the 32 f1.2 that has just come onto the market. I'm betting that that lens will also come down in price pretty soon, so I'll just wait for that to happen and purchase one then.
986
NIKON 1 V1
Focal Length: 30 mm
Aperture: f/8.0
Exposure Time: 1/250 sec
ISO: 100
Dil 07/09/13 19:01     comments (0)
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 Viewed 986
• Nikon • CX • V1 • 10-30 f3.5-5.6 

07/08/13
Nikon 1 V1 - 1 Nikkor 10-30 f3.5-5.6 VR

Nikon 1 V1 - 1 Nikkor 10-30 f3.5-5.6 VR

I was amazed when I ran the above image through LR4.4. The dynamic range is very good and sharpness is there too. When I import my raw files into LR I make sure that they are all zeroed which means that the files look flat and lack contrast. Totally different to how the jpg files look...overcooked.
Most of my work is done in LR and I use Photoshop at the end to do some touches, resize and normally sharpen and add a frame. This doesn't take long as I've saved some actions to do the mundane stuff.
I'm going to out a limb here and say that the file has a film like quality to it and it's the sort of look I get from my Voigtländer lenses. I like it too and strive to find a workflow that gives me this permanently. I'm still looking by the way.
As this is going to be the last post from the V1 for the moment I have to tell you that the 6.7-13 f3.5-5.6 VR is on the way. Actually by the time you read this post it should have arrived. I was missing that wide end that I know I would be pining for if I didn't have a lens in that focal range. I just hope the weather is going to get better than it's is now so I can get out get some photography done.

1004
NIKON 1 V1
Focal Length: 10 mm
Aperture: f/8.0
Exposure Time: 1/125 sec
ISO: 100
Dil 07/08/13 19:00     comments (0)
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 Viewed 1004
• Nikon • CX • V1 • 10-30 f3.5-5.6 

07/07/13
Nikon 1 V1 - 1 Nikkor 10-30 f3.5-5.6 VR

Nikon 1 V1 - 1 Nikkor 10-30 f3.5-5.6 VR

After seeing images made with the 18 f1.8 lens and again looking up the prices, I decided that this would be a good lens for portraits. It gives you an equivalent focal length of approximately 50mm on a full frame camera. Not my favourite focal length as I prefer the 80-135 range and sometimes even longer than that, but that's all there is at the time of this post.
Images from this lens are very good indeed. They should make more lenses of this calibre in my opinion but I assume that people who use this system will prefer zooms. Presently this lens will cost you €160 which is amazing price for lens like this.
Nikon have also introduced the 11-27.5 f3.5-5.6 lens which I can't really understand since it's very close to the 10-30 f3.5-5.6 lens. There may be advantages to the lens but right now, I just don't see it. That is one lens the I won't be purchasing.

1130
NIKON 1 V1
Focal Length: 30 mm
Aperture: f/8.0
Exposure Time: 1/125 sec
ISO: 100
Dil 07/07/13 19:00     comments (0)
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 Viewed 1130
• Nikon • V1 • CX • 10-30 f3.5-5.6 


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